Couperin’s Avertissement notes that they may be transposed for any voice types, and recommends adding a bowed string instrument: “quoyque. Couperin’s Trois Leçons de Ténèbres are amongst the small amount of the composer’s sacred music that was published during his lifetime. They are intensely. Stream Couperin (Le Grand): Trois Leçons de Ténèbres by Veronique Gens & Sandrine Piau & Emmanuel Balssa & Les Talens Lyriques & Christophe Rousset .
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Leçons de ténèbres (Couperin) – Wikipedia
The music has, within its own self-imposed limits, an intensity and power rarely found in baroque church music. In the second lesson, Elizabeth Watts is grainier, softer-edged, earthier. Stream Couperin Le Grand: Fifteen candles, fitted on a triangular frame, were extinguished one by one until Matins ended in darkness.
In the first lesson, Lucy Crowe is ecstatic and golden, ravishing in her upper flourishes and the way she pushes and lingers on those achy-sweet dissonances.
Couperin: Lecons de Tenebres, etc CD review – ravishing tribute by early music’s finest voices
Listening to the Boulay also lfcons how the performers in this disc have conceived and executed their Lecons as sleek and elegant. The Magnificatwith its variety of textual moods, inspires a remarkable setting by Couperin which contains eleven contrasting sections in as many minutes. All of his surviving sacred music is scored for one, two or three voices and continuo, sometimes with concertante instruments and chorus.
Roussetit can be had for perhaps less than half the price of this original edition.
To my astonishment, the performance failed to “shimmer”, right from the start. Would you like to tell us about a lower price? Share Facebook Twitter Pinterest. East Dane Designer Men’s Fashion.
Catone In Utica [3 CD]. In Louis appointed Couperin as one of the four organists: Terms and conditions apply. The French in their airs, aim at the soft, the easy, the flowing and coherent … but the Italians … venture leconss boldest cadences and the most irregular dissonance; and their airs are so out of the way that they resemble the compositions of no other nation in the world.
The viol player Susanne Heinrich and theorbist Lynda Sayce join King, accompanying on a chamber organ, and offer sensitive support to the singers. Customers who viewed this item also viewed. I feel that perhaps they did not share the same vision of the works on this recording, so that they sometimes seem to be pulling away from each other rather than together.
I hovered between 3 and 4 stars for this.
BIS Records – Leçons de Ténèbres by Couperin and Lalande
Secondly, the ornamentation is inconsistent, and doesn’t always follow the markings in the score. This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. Firstly – the Latin is not French Latin, as I’ve always considered it should be. Tombeau pour Sieur de Ste Colombe.
It seemed pedestrian, walking where it should float. I am at a loss to understand why – really, these two sopranos are so experienced in French baroque works that I fully expected them to have created a delicious performance. I don’t have my copy with me at the moment, but I don’t remember anything in the notes about a new remastering for this particular Eloquence reissue; but even though it has a less attractive cover no offense to M.
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Leçons de ténèbres (François Couperin)
Have one to sell? The fault is absolutely not that of the music. It was with the expectation of delight that I purchased this recording. Image Unavailable Image not available for Color: Sein Amt verlangte von ihm, sowohl Kompositionen zu liefern als auch selbst zu spielen.
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Top Reviews Most recent Top Reviews. Clocking in at right over 10 minutes, the Magnificat may be my single favorite track here, livelier and little less serene than the other tenebress.