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In the framework of the Visitation we contemplate the joyous journey of Mary towards the house of Elizabeth on the wings of charity and driven by the desire to announce the salvation that comes.
The Passio is a tableau of nine scenes from her life, from her conversion to Christianity to her ultimate love song creaure Christ, before dying as a martyr. After a prologue, which contemplates Mary rising on the world as the dawn of salvation, the first picture is that of the Annunciation. Continuing his persecution on the road to Damascus, the Lord is revealed.
It is a spiritual itinerary of the life of Mary through the fundamental mysteries of the life of Jesus. Already in the title of the suggestive musical composition is proposed the invocation now known throughout the world: The vision of creatre Christian who dies like Christ, forgiving his persecutors, touches him deeply, throwing a seed in his soul that will sprout up to ripen slowly in Paul’s consciousness that Christians are the Risen Jesus.
Men today as yesterday are slaves of a thousand poverty, are pilgrims, naked, sick, prisoners, hungry, thirsty. It constitutes a fundamental point of strength for man, because he is capable of transforming life. Jesus wanted to reveal to us the meaning of all this, he wanted to unveil the true face of this suffering and poor humanity, the true face is his.
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The Passio Caeciliae describes the martyrdom of Cecilia, a maiden of noble descent in the 2nd century, a creature of light, love, faith and innocence, who is put to death in her own home. There is a word that recurs in this composition: Rise and enter the city, and you will be told what you must do.
In this march, which ends with the triumphant tone of a hymn of praise, we hear his words, “Who shall separate us from the love of Christ? The love of Christ heals the wounds of the human heart ceeature communicates to the person, through grace, the very life of God. He retreats into the wilderness to meditate on the gift receivedspending three years in the most frlsina concentration, after which he begins to preach the Gospel message in the Mediterranean world at the time, stating that “he is no longer alive, but Christ living in him “.
Christmas is a mystery of the Mother and the Son, the mystery of the mysterious motherhood of Mary and of the joyous revelation of the Messiah to men. Jesus, I trust in You! This Oratorio presents in six paintings the whole life of the Virgin, giving it a contemplative vision.
The Oratorio ends with a march that seems to mark the footsteps of the Apostle to his final union with Christ. For one night we smile and look toward the frrisina, Filippo.
In an atmosphere full of mystery and wonder, Mary abandons herself to the will of God, realizing the mystery of the Incarnation to which the angels assist astonished contemplating “the Word who became flesh”. With his words he spreads the Gospel among the nations.
Sacred Oratorios Including liner notes by Marco Frisina. A benevolent gesture towards a poor person, a good deed?
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This act of trust and abandonment to the love of God is simple but profound. A way to lighten one’s conscience feeling at least for once a little more good? The discovery that Christ is alive in the Church as in Stephen’s and other Christians urges him to give his life for him.
Each story is counterpointed by a piece of music in which the protagonists are the joy and smile, in which you feel strongly the smell and atmosphere of Rome, its people and noble soul, light-hearted and poetic: Paul, therefore conforms to his Lord, and then follows him to martyrdom, to identify with him. Together with Mary they sing the Magnificat. Paul is undoubtedly the greatest missionary of all times. He was the Apostle of the Gentiles.