In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France)* Juan. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France)* Juan Dominguez (Spain)*. André Lepecki. · Rating details · 33 ratings · 3 reviews. The only scholarly book in English dedicated to recent European contemporary dance, Exhausting.
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On his last day with us at the lab, as a sort of farewell gift, Pope.
L performed an intervention at Tate Modern in March of What is interesting in this concern is how Orchesographie grounds the possibility for heterosexual dancing and mating on a previous, pedagogical homosocialization. My library Help Advanced Book Search. This is the power that long durational performance brings about: Rather than accumulative, an operation predicated on repetition and sequentiality, Cance jumbles up the chronological sequence of production of its series.
But, in the space of the gallery, such architectural legibility collapses: For his excessive phallic display is filled with ambivalences. Paronomasia proposes to subjectivity alternative modalities of being lpeecki time.
Exhausting Dance: Performance and the Politics of Movement
Third series of micromovements: La Ribot creates space that operates as an architectural disturbance. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: After the stumble and the falling apart, Fanon describes the choreographic realignment required by this new mode of being, this new mode of presence forced by the ballistics of the racial epithet and by the shifting of the ground under his feet.
Set side by side, these two discursive moments demand consideration. Time to ground and expand these preliminary observations. Indeed, it is hard to imagine a philosophy, any more than a polis, founded on uneven ground, on ground that shifts or which already, by virtue of its natural obliquity, furnishes an infinity of positions, poses, points of rest to anyone prepared to traverse the ground in different directions.
It is certainly not a form of ordeal art.
A male couple, dancing within a psycho-philosophical, theological, and gendered space triangulated by hard discourses and disciplines: If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click ‘Authenticate’.
In Orchesographie, the exhajsting of dancing-writing, the nascent art of choreography, is cast as being pregnant with a spectral-technological promise: Thus, the pieces analyzed in this chapter all feature men moving alone in explicitly enclosed and empty spaces — empty chambers, empty studios, empty rooms, somber voids where haunted solitude, concentration of will, and precision in execution all fuse to create what can only be described as a solipsistic excess.
L as a slowing down of the kinetic that answers directly and interpellates profoundly the neocolonial surrounding and traversing us.
In Self UnfinishedLe Roy also drops the notion of the subject — and consequently modes of arresting being within fixed categories: Indeed, for Martin, mobilization is a key concept dance studies must probe in order to step out of its dubious political paralysis.
Philosophy tends to push conversations around dance away from physical movement toward a space of contemplation, where bodies can ldpecki interchangeable, and, in many ways, irrelevant.
L keeps following the original trajectory, it becomes clear that any linear progression is as much a choreographic myth as the myth of a linear and predictable unfolding of history.
BAM zooms past the signifier only to reorient ontology by insisting in the fundamental paradoxicality affirming a black mode of being while standing on the ontohistorical ground of racism. To just watch this piece is to certainly miss it. Crawford to find my work intriguing so I go along with the idea that there is, in fact, a link between my work and that of zndre [west African vodun artifacts] artist-activators.
Exhausting Dance: Performance and the Politics of Movement – André Lepecki – Google Books
La Ribot wrote about the function of the still at the time she moved her pieces from the theatre building lepecik the gallery space. Without cookies your experience may not be seamless. One must assume so. L we discover an ontopolitical ground that is not stable or flat, but ceaselessly quivering and grooving. We see that clearly in the videotape. Paperbackpages.